Magalir Mattum Synopsis: A progressive documentary filmmaker reunites three older ladies who’ve been separated since faculty and takes them on a go to.
Magalir Mattum Evaluate: Magalir Mattum begins in 1978, after we see three women – Gomatha, Rani Amirthakumari (Shobana Karthikeyan), and Subbulakshmi (Nivedhithaa Sathish) – sneak out to observe a film, arguing whether or not it’s a Rajini film or a Kamal film. film is (it’s any, as a result of the film is Aval Appadithaan).
The motion then cuts off abruptly to the stream, to Gomatha (Urvashi). Her husband will not be an additional and her son Surendar (Madhavan, in a cameo) works in Qatar, whereas she lives along with his girlfriend-fiance Prabha (Jyotika), a documentary filmmaker.
Prabha is intrigued by Gomatha’s reminiscences of her long-divorced faculty workers. Similar to in Dad. Pandi is the Fb that helps people who find themselves lengthy misplaced.
Rani (Bhanupriya) is now in Agra, and her husband (Nasser) and son (Pavel Navageethan) are politicians hoping to win an upcoming native physique election. Subbu (Saranya Ponvannan), a beautician, has a loveless marriage to Mangalamoorthi (Livingston), who nonetheless longs for a lover from his earlier one.
And Prabha plans a reunion for the three by approaching a three-day journey…
Feminist, cinematic and feel-good, that’s Magalir Mattum. The movie in no way shuns its feminist credentials and repeatedly takes into consideration how ladies and their needs get trapped within the “maayajaala jail” referred to as marriage. We first see this set forth in a housewife’s form of diatribe in Prabha’s documentary (entitled The Nice Indian Housewives). And we love getting the ‘message’ inside the Subbu and Rani sort. However that’s additionally the place the movie sits on a shaky ground. The males in Magalir Mattum are conveniently a lot much less sketched. Like 36 Vayadhinile, this movie too is content material materials to indicate males who affiliate with their wives and moms as servants to realize the objective of women incomes greater.
It additionally gives the look that it’s exactly the early period of women that confronted discrimination and this period has it fairly good if you wish to see the character of Prabha who’s nearly an open-minded girl. And this feels fairly deceiving. Prabha is greater than a character, it seems to be like a catalyst – a storytelling gadget. We don’t actually get a notion in her. “Manasukku pudichavana kalyanam pannanum, manasukku pudichavan kooda vaazhanum. Adhu dhaan actual liberation,” Prabha says on one stage, and it appears a comparatively simplistic definition of the views of this necessary character.
The setup of the movie is a form of cinematic, extra Hollywood indie movie than rooted drama. The movie doesn’t care a lot for realism, not like Bramma’s earlier effort, the onerous hitting Kuttram Kadithal, and stays content material to amuse us with materials. Not that there’s something flawed with a movie that strives for a wish-fulfillment, however the plot elements beneath are fairly predictable – a son realizing how badly he’s handled his mom, a husband lastly admitting that his husband deserves extra, flashbacks to us to point the friendship that existed between the three ladies…
But the feel-good excited about Magalir Mattum eliminates a lot of these issues. The movie manages to stroll an efficient center ground between lecturing and displaying the inequality that exists in our society. It shouldn’t be overtly manipulative both, and the emotional moments present us that the guts is in the best place (Ghibran’s punchy songs and appreciation tell us the purpose is to have enjoyable ladies). The actors are all endearing, and the chemistry between the three senior actresses particularly (their characters mirror the on-screen personas now that we’re attached with them) merely exhibits that they had been fats collaborators earlier than. And Jyotika, showing youthful, is in no way exaggerating Prabha. Each she and Bramma understand that the precise protagonists listed beneath are the three ladies and stop Prabha from dominating the film. In a single scene, Rani remarks that she hoped she can be a minimum of a supporting character in her private story, however she wasn’t to be. Nevertheless, Jyotika and Bramma state that it’s achievable for any girl to be a heroine! This will likely even be their biggest achievement.
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