Film: Mathu Vadalara
Banner: Clap Leisure
Forged: Sri Simha, Satya, Naresh Agasthya, Atulya Chandra, Vennela Kishore, Brahmaji and others
Music: Kaala Bhairava
Cinematography: Suresh Sarangam
Edit: Karthika Srinivas
fights: Ram-Lakshman, Anbu Arivu
Producer: Chiranjeevi (cherry), Hemalatha
Written and directed by: Ritesh Rana
Publication date: December 25, 2019
The sons of music composer MM Keeravani – Sri Simha and Kaala Bhairava who debut as hero and music director respectively have sparked curiosity on this movie.
Let’s discover out its execs and cons.
A supply boy Babu Mohan (Sri Simha) finds himself in a large number when, on the recommendation of his good friend Yesu Babu (Sathya), he tries to make simple cash by dishonest his clients. He’s caught red-handed in his first trick himself. An outdated lady falls to the bottom.
Believing that she is lifeless due to his act, he tries to flee from that place. He will get additional into hassle when he wakes as much as see one other corpse mendacity in entrance of him.
Whose physique is it and the way did he land on this flat? How his housemates (Sathya and Naresh Agasthya) assist him?
Performances by artists:
Sri Simha, the youngest son of music director Keeravani, is credible within the function of a supply man in his debut as an actor. However the one who steals the present is comic Sathya. He brings the home down together with his comedic act.
Newcomer Naresh Agasthya as Abhi is doing very nicely. Vennela Kishore, Brahmaji, Vidyu, Atulya and Pavala Shyamala are okay.
Music director Kaala Bhairava, Keeravani’s eldest son, has provide you with background music that takes the environment of this thriller to the subsequent degree. That is a powerful debut. Cinematography and paintings have added worth.
An thrilling first half
Twists and turns
The very starting of the movie gives the look that it’s a movie with a classy set-up, a brand new age drama. With out taking a lot time, the brand new director Ritesh Rana units up an attention-grabbing setup of on-line supply methods.
With a setting of a recent music, the lead on-line supply man, “Mathu Vadalara” units the temper fairly properly with out a lot fuss.
As we’ve seen in latest New Age thrillers, “Mathu Vadalara” depends on the trick of holding onto the “actual topic” to the very finish.
Ritesh Rana instructed the story with an excellent dose of humor to start with to maintain the principle story and the twist.
He is aware of full nicely that the angle of “Meth Lab” doesn’t make a compelling watch. So he pushed it into the later a part of the film and instructed the opening elements like a whodunit that slowly pulls us into its world.
The screenplay is wise. With an excellent dose of comedy all through, it’s a fascinating watch.
The director has not given a lot indication that the movie is definitely concerning the drug commerce. Till the break, he leaves us guessing how the principle character might have escaped from this residence, having been thrown into a large number by a demise that occurred when he went to ship a package deal.
With that red herring, the director takes the movie with a gripping narration. The primary twist and stunning story occur in direction of the tip of the movie.
You wouldn’t count on who the dangerous man is. That is good screenplay method (written by Ritesh and Teja R).
The comedy is generated within the type of Sathya, a hero’s good friend. His sharp dialogues make for an excellent snicker. There’s even a parallel music from a TV sequence that makes for some comedy. Within the ‘unending’ TV sequence known as ‘Ori Naa Koduka’, one scene is dragged for days. That is interspersed with the conditions of the principle character of the movie.
Additionally, the film begins with a music by Chiranjeevi and the primary half ends with a Khaidi scene and ends with one other film by Chiranjeevi. Because the movie is ready in 2016, the director has successfully used the announcement of PM Modi’s banknote ban on November 8 to spark much more laughter.
The director has managed to ship an excellent thriller with a excessive dose of comedy in most elements, however the final act lacks the effectiveness.
The ‘Meth Lab’ sequences are unnecessarily prolonged. And the informal angle of Vennela Kishore’s character is illogical. That’s a significant ache level on this crime thriller.
Though the movie is ready virtually totally in a high-rise residence complicated, the manufacturing design and digital camera work is sort of efficient.
Regardless of some points in direction of the tip of the movie, ‘Mathu Vadalara’ is yet one more thriller than a younger staff.
Backside line: GaMathu!